An association of artists and craftsmen for the purpose of work and study—such is the Palette and Chisel Club of Chicago. The organization is unique in that its members are all wage-workers and busy during the week with pencil, brush or chisel, doing work to please other people. But on Sunday mornings, at 9 o'clock, they assemble in the studio of Lorado Taft, in the Athenaeum Building, and for five hours each amuses himself by working in his chosen medium, to suit himself.
Two-thirds of the members are students in the "life class" at the Art Institute of Chicago night school, and a desire for opportunity to study from the model in daylight, so that color might be used, led to the organization of the club.
The following is a list of the club's membership: Charles J. Mulligan (later head of the sculpture department at the Art Institute), David Hunter and W. J. Hutchinson, sculptors; Ray Brown, chief of the Times-Herald art department, and F. Holme, of the Evening-Post; Henry Hutt, illustrator and designer for J. Manz & Co.; Carl Mauch, of the Werner Company's art staff; Will Carqueville, poster designer and lithographer; Curtis Gandy, Capel Rowley, Richard Boehm, Edward Loewenheim and C.C. Senf, designers and illustrators; L. Pearson, F.J. Thwing and H.L. Bredtschneider, fresco painters and decorators; Fred Mulhaupt, display advertiser; Ancel Cook, scenic artist; A. Sterba and W.H. Irvine, portrait artists; Arthur Carr, H. Wagner, L.M. Coakley and J.S. Shippen, art students. Fred Larson is a "proofer", and the printer's trade is represented by W.A. Randall.